Speed edit controls can be customized to suit your preference. In order to achieve this kind of fluidity prior to Speed Edit (and for other software) external hardware pieces that map hard controls to features were the go-to. But what it means is you never have to take your eyes off the screen to look at a slider, so you are immersed and can work incredibly fast. At the core, it mixes shortcut keys with your mouse or trackpad to make adjustments to the image without having to use the actual interface.
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This is something you’ll wonder why every other software isn’t doing some version of it because it’s so fluid. This is one feature you didn’t know you couldn’t live without until you use it. Having this option on local layers is a huge precision plus. If you’ve ever used Photoshop layers and selected Luminosity blending mode, you’ll have a better idea of what this is, but here you’re doing it on a raw file.Īdditionally, users can perform all available curve adjustments on local adjustment layers for even more precise fine-tuning. Using Luma allows you to make the same curve adjustments but without those shifts. In RGB, when contrast is introduced, there is a shift in color, both in saturation and hue. The Luma Curve adjusts exposure and contrast differently than the RGB channel. The Luma Curves Channel is a channel in the curves tool for Luminance, and luminance only.
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Note the positive saturation shift (RGB graph pictured is for the image selected, the upper left, which is why it doesn't show a curve). The upper left has a Luma curve applied, and the bottom left has an RGB curve with the same values. The two on the right are base control images. Furthermore, with the addition of The Magic Brush, users can now easily and quickly create more complicated masks, which can be especially helpful when editing any and everything from landscapes to skin. Loosely translated, this means you can get the most out of each shot and do more with a raw processor than previously possible, allowing you to easily create more complicated masks for compensating for lighting in interiors, skin-tone editing, portrait retouching, landscape color separation, and more.Įach file in Capture One can have layer upon layer of local and global adjustments, which gives users the ability to make local adjustment masks from Color Editor selections. From high-quality healing and cloning to fine-masking, using multiple layers, and layer opacity control, Capture One boasts a broad range of local adjustments, powerful layers, and layer masking tools that allow you to maximize the flexibility of your raw files. There is no way to overstate just how powerful layers in Capture One are, as they can be a game-changer when it comes to power and flexibility.
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This article outlines some of the top features Capture One offers, with a bonus to boot.Įxperiencing the software for yourself brings a whole other depth, and If you don’t have Capture One, this may be the perfect time to try it, and you can click here for a 30-day full trial of Capture One Pro so you can follow along. With a focus on user experience, its mountains of capability and complexity are hidden under a veneer of simplicity to make working with your images fast, focused, and easy. But that is just the tip of the technological iceberg that is Capture One. As a raw processor, it is considered the gold standard, supporting over 500+ cameras, and with it comes a uniquely powerful toolset for developing, color grading, and tethering. While you may change camera bodies, lenses, lights, locations, and styles, the one constant that touches all your images is the software used to develop them.Ĭapture One is a multifaceted image processing and asset management software. The quest to find the best photo editing software is not necessarily an easy one, but it is a necessary one.
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If you’re reading this, the likelihood is that you’re looking for better software to treat your images.